
The kind folks over at RIGU have created a coupon code for DSLR Video Shooter readers. So if you are tired of black bags and boring camera straps run over to their website and use to code”DSLRVS10″ to save 10% on all their gear and accessories.
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Remember the CineMover? That kick action dolly system I did an episode on a while back? Well its created J.G. Pasterjak is coming out with something new. I can’t tell you how excited I am about what he has put together.
Its called the CineMonster and you should check out his highly entertaining video where he demos this new piece of gear.
Preorders are through KickStarter so head over there are get in on the action!
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If you are looking to get into HDSLR shooting for the first time or need a second camera now is the time to act. With these new double rebates you can save some serious cash on lenses with camera purchases. Check them out:


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While they aren’t the most exciting gear out there, sand bags are pretty important. I recently found a great set of 4 on Amazon for under $20.
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Probably the most exciting thing coming out of NAB for me was the Blackmagic Cinema Camera.
Basically its a Micro Four Thirds, 2.5K resolution, 13 stops of dynamic range box with a touch screen and a copy of DaVinci Resolve… For under $3,000… As Lenny Pepperbottom would put it, That’s pretty neat.
This little sucker looks like a real winner. I can’t wait to try one and hopefully get a review out to you guys. If you are already sold, or just need a cheap copy of DaVinci Resolve, you can pre-order this fella on B&H right now via the link below.
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Disclaimer: I was given this item for free in exchange for a review. But like all my reviews I am being as objective as possible.

I have used a lot of C-stands on sets in the past but never owned one myself. But B&H Photo Video offered to send me one for review and I had the chance to use it on a several projects.

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Disclaimer: I was given this item for free in exchange for a review. But like all my reviews I am being as objective as possible.
B&H Photo Video sent me a couple of tripods for review right before heading out of state for a large shoot. Unfortunately I didn’t have enough time to shoot a video review so this article will have to suffice. I was, however, able to used both of these tripods for a large gig this past weekend.

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Disclaimer: I was given this item for free in exchange for a review. But like all my reviews I am being as objective as possible.
I have been using the H4n for as long as I have been shooting on HDSLRs. It has taken good care of me and I have not had any major problems with it. So if people think I am being unfair to the H4n they should also try the Tascam DR100… They might find themselves picking one up. Even though the H4n has become the most used audio recorder by HDSLR shooters, I believe the DR100 MkII has a serious edge on it.
Gear Mentioned:
Tascam DR100 MkII
Zoom H4n
There is a wonderful world of manual lenses out there. This guide is dedicated to using Nikkor lenses on Canon, and other camera mounts.
Here is what we will be covering:
- [1:45] Different Types of Nikkor Lenses (NON-AI, AI, and AIS)
- [5:25] How to Adapter the Nikon Mount to Canon and Others
- [9:49] Why Use Manual Nikkors?
- [12:50] Where to Buy Nikkor Lenses
- [14:20] How to Customize These Lenses for Video
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1. Got it Cheap
I got a good deal on a used body. Of course now I am kicking myself because Canon is selling Refurbished 5DmkII’s for under $1800 at the moment (new going price is $2199 today on B&H). This HAD to happen a few days after I got a really good offer and bought a used one… Oh well. My point is if you are patient you can find a good deal. The 5D and 7D are both super tough cameras and I feel very safe buying used because of that.
2. I Don’t Think the Price of the 5D2 Will Go Down
I could be wrong but I really don’t think the price of new 5DmkII’s will be going down anytime soon. If you read the comments from this post a lot of people are excited about the 5D3 only because they think the 5D2 will go down in price… The 5D2 still holds a lot of value, so I don’t think we will be seeing a price drop because the demand isn’t going away.
3. Its About Time
I’ve been shooting with the 7D for 2.5 years and have loved it. Still has a lot over the 5D. BUT da-mn that full frame sensor image is incredible. I’ve shot with the 5D before but owning one and using it with all my lenses has been soooo much fun. And still having an APS-C now gives me double the lens use.
4. Resell Value
The pro level DSLR bodies seem to hold a lot of value over the years. So I think I will get a decent amount when I sell of my camera bodies to upgrade down the road.
5. I Need It
Lets not forget why we be buy gear in the first place… I’ve said before a lot of what I do involves interviews and a lot of the time these interviews are in tight areas. That larger sensor is going to be so nice in an A/B camera setup. She outa tag team nicely with the 7D. So bye bye Sony 5n. Its been real.
Conclusion.
If you can afford the 5D3 then go for it (good write up here on that subject). I don’t think it’s a wise move in my situation. A 5D2 is a fun cam and heck, it’s been good enough for some big gigs so I am happy.
So what’s your take on the subject? You making any moves to/from a 5D?
Its been really cool seeing how people are using rig configurations from Episode 39. Thought I would share a few with you here:
This first configuration is from Scott Owens:
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I’ve been using some of this gear from 4 DSLR for a while now, thought I’d share it with you. They make 2 great accessories for the H4n and Manfrotto tripod heads.
Check them out at 4DSLR.com.
Quicktime File.
Gear I mentioned in the video:
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